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Thomas-Tallis Renaissance
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Agnes Dei (a Renaissance Mass) by Thomas Tallis for String Orchestra
Agnes Dei (a Renaissance Mass) by Thomas Tallis for String Orchestra
$14.00
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String Orchestra
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Thomas Tallis
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Michael O
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15 pages. Comments: 
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Michael O. Shaw
Agnes Dei "A Renaissance Mass" by Thomas Tallis for French Horn Quintet (5 Horns)
Agnes Dei "A Renaissance Mass" by Thomas Tallis for French Horn Quintet (5 Horns)
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Horn Ensemble
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Thomas Tallis
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Michael O
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Michael O. Shaw
Audivi vocem de coelo "I heard a voice coming from Heaven" by Thomas Tallis for Viola Quartet
Audivi vocem de coelo "I heard a voice coming from Heaven" by Thomas Tallis for Viola Quartet
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String Quartet : 4 violas
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Thomas Tallis
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Michael O
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8 pages. 
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Michael O. Shaw
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English Sacred Music
Choral SATB
SATB, Piano
Faber Music Limited
By Thomas Tallis (1505-1585). Choir Sacred. For with Piano (SATB choir). Book; C...
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By Thomas Tallis (1505-1585). Choir Sacred. For with Piano (SATB choir). Book; Choral (Sacred); Choral Worship Collection; Masterworks; Worship Resources. Faber Edition: Choral Programme Series. Masterwork; Renaissance; Sacred. Published by Faber Music
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Thomas Tallis: Blessed Are Those (SATB)
Choral SATB
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Intermediate
Chester
SATB Choir (Study Score) - Intermediate SKU: HL.14032615 Composed by Thom...
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SATB Choir (Study Score) - Intermediate
SKU: HL.14032615
Composed by Thomas Tallis. Music Sales America. Renaissance. Sheet Music, Vocal Score. With Text language: English. Chester Music #CH61516. Published by Chester Music (HL.14032615).
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If Ye Love Me
Choral
Hal Leonard
Composed by Thomas Tallis (1505-1585). Edited by John Leavitt. Treasury Choral. ...
(+)
Composed by Thomas Tallis (1505-1585). Edited by John Leavitt. Treasury Choral. Masterworks, Concert, Male Voices, Renaissance, A Cappella, English. Octavo. 4 pages. Published by Hal Leonard (HL.153764).
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Antiphon for God the Father
Choral
Schirmer
Dale Warland Choral Series. Composed by Nancy Wertsch. Choral. Festival, Conce...
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Dale Warland Choral Series. Composed by Nancy Wertsch. Choral. Festival, Concert. Octavo. 12 pages. Published by G. Schirmer
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Thomas Tallis: Salvator Mundi: SATB: Vocal Score
Choral SATB
[Vocal Score]
Faber Music Limited
SATB divisi a cappella-From the Cantiones sacrae of 1575 this reflective Renais...
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SATB divisi a cappella-From the Cantiones sacrae of 1575 this reflective Renaissance motet displays the choral art of Thomas Tallis through long sustained phrases chromaticism and striking dissonances. Ideal for madrigal groups and advanced ensembles. Available: SATB.
13.75 GBP - Sold by Musicroom UK
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Greenberg: An English Medieval And Renaissance Songs Book: Voice: Mixed Songbook
Piano, Voice
Dover Publications
This treasury of part songs and sacred music for one to six voices will delight ...
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This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries the collection covers a broad range of moods. Approximately half the songs are secular some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg
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Still Points
2 Violas (duet)
[Sheet music]
Schott
Harmonische Fantasie über ein Thema von Tallis. Par KNOX GARTH. Thomas Tallis (...
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Harmonische Fantasie über ein Thema von Tallis. Par KNOX GARTH. Thomas Tallis (15051585) was one of the great figures of English Renaissance music and the Third mode melody is probably his best known work, largely thanks to Vaughan Williamss Fantasia on a theme by Thomas Tallis. In the manner of an illuminated manuscript, I wanted to illuminate this fascinating theme in three ways: from behind with medieval techniques like the hoquetus passage of the opening or the dance at letter B, from in front with more contemporary sounds (letter A and similar), and from above with the extensive use of high harmonics. Almost all the notes of the theme fall very neatly on the natural harmonics of the viola strings, and my ambition was to combine the normal notes of the viola with its soaring harmonics, creating a rich luminous soundscape which reflects the spirituality of the theme. Talliss melody returns repeatedly to the note B, and I interpreted this as a gentle invitation to simply be, in the sense of quiet moments of mediation. I decided to include a series of still points in the piece: the first one is in silence, the second reveals a note (B) that oscillates in a harmonic heartbeat, the third is a vibrating chord of B with harmonics, and on the last one the second viola tunes down the C string to B, then explores all the natural harmonics of this new world. The term still point is of course a reference to the words of T.S. Eliot in his Four Quartets: 'At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is.' (Garth Knox) / Date parution : 2024-01-06/ Répertoire / 2 Altos
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O Salutaris Hostia (MANTOVANI BRUNO)
Français
Cello Ensemble
Lemoine, Henry
Par MANTOVANI BRUNO. O salutaris hostia est le titre d'une hymne chrétienne com...
(+)
Par MANTOVANI BRUNO. O salutaris hostia est le titre d'une hymne chrétienne composée par Saint Thomas d'Aquin. Cette hymne a inspiré nombre de compositeurs de la renaissance dont Josquin des Prés, Thomas Tallis et un de mes musiciens favoris, Pierre de la Rue, qui vécut à la lisière entre les 15e et 16e siècles. Le 'O salutaris hostia' de ce dernier est une courte pièce à quatre voix à laquelle j'ai appliqué, chose inédite chez moi, des principes d'écriture automatique. J'ai tout d'abord étiré le 'squelette harmonique' de l'oeuvre originale sur 7 minutes et 30 secondes (ce qui multiplie la durée totale par 5 par rapport à l'original) puis j'ai défini une liste d'une vingtaine de modes de jeux. Ensuite, j'ai appliqué ces modes de jeux à l'harmonie existante en organisant des transitions progressives d'une configuration à une autre. De ce fait, malgré l'activité instrumentale permanente et la transformation perpétuelle de la texture, un sentiment de temps étiré et de contemplation s'installe par la régularité du propos. Je me suis souvent inspiré de modèles du passé pour écrire des oeuvres (Gesualdo, Schubert, Schumann) mais c'est la première fois que le modèle est aussi prégnant malgré les traitements qui lui sont appliqués. / Contemporain / Répertoire / 7 Violoncelles
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Mantovani Bruno - O Salutaris Hostia - Conducteur
Lemoine, Henry
Création 07/06/2017 - Paris, Fondation Louis Vuitton - Classe d'excellence de ...
(+)
Création 07/06/2017 - Paris, Fondation Louis Vuitton - Classe d'excellence de Gautier Capuçon Commanditaire Fondation Louis Vuitton O salutaris hostia est le titre d'une hymne chrétienne composée par Saint Thomas d'Aquin. Cette hymne a inspiré nombre de compositeurs de la renaissance dont Josquin des Prés, Thomas Tallis et un de mes musiciens favoris, Pierre de la Rue, qui vécut à la lisière entre les 15e et 16e siècles. Le O salutaris hostia de ce dernier est une courte pièce à quatre voix à laquelle j'ai appliqué, chose inédite chez moi, des principes d'écriture automatique. J'ai tout d'abord étiré le squelette harmonique de l'oeuvre originale sur 7 minutes et 30 secondes (ce qui multiplie la durée totale par 5 par rapport à l'original) puis j'ai défini une liste d'une vingtaine de modes de jeux. Ensuite, j'ai appliqué ces modes de jeux à l'harmonie existante en organisant des transitions progressives d'une configuration à une autre. De ce fait, malgré l'activité instrumentale permanente et la transformation perpétuelle de la texture, un sentiment de temps étiré et de contemplation s'installe par la régularité du propos. Je me suis souvent inspiré de modèles du passé pour écrire des oeuvres (Gesualdo, Schubert, Schumann) mais c'est la première fois que le modèle est aussi prégnant malgré les traitements qui lui sont appliqués. Bruno Mantovani (avril 2017)
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William Byrd: Justorum Animae Ssatb: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Justorum Animae is an anthem for the offertory on the Feast of All Souls scored...
(+)
Justorum Animae is an anthem for the offertory on the Feast of All Souls scored for five voices. Written in 1607 by William Byrd it has been edited by Barclay Squire and is presented here with a Keyboard reduction for rehearsal purposes. William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under Thomas Tallis at the Chapel Royal before becoming Organist and Master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist.
3.99 GBP - Sold by Musicroom UK
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John Sheppard Nathaniel Giles Thomas Tallis William Mundy: Anthems By Tallis
Choral SATB
SATB
[Sheet music]
Chester
A series of short volumes each devoted to a single composer or appropriate grou...
(+)
A series of short volumes each devoted to a single composer or appropriate group of composers thoroughly exploring the unlimited resources of Renaissance sacred polyphony.
7.99 GBP - Sold by Musicroom UK
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Thomas Tallis: If Ye Love Me: 3-Part Choir: Vocal Score
Choral 3-part
[Vocal Score]
Walton Music
One of the most recognized anthems from the English Renaissance in a new adapta...
(+)
One of the most recognized anthems from the English Renaissance in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive this would work well in both concert and worship settings and provides a great way to introduce young singers to historical choral works. Available for SSA and 3-Part Mixed.
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Thomas Tallis: If Ye Love Me: SSA: Vocal Score
Choral 3-part
SSA
[Vocal Score]
Walton Music
One of the most recognized anthems from the English Renaissance in a new adapta...
(+)
One of the most recognized anthems from the English Renaissance in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive this would work well in both concert and worship settings and provides a great way to introduce young singers to historical choral works. Available for SSA and 3-Part Mixed.
2.20 GBP - Sold by Musicroom UK
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Thomas Tallis: If Ye Love Me: Lower Voices a Cappella: Vocal Score
Choral TTBB
[Vocal Score]
Hal Leonard
Create a moment of reverence and reflection with this English Renaissance anthem...
(+)
Create a moment of reverence and reflection with this English Renaissance anthem now arranged for men's voices. Ideal for concert and worship!
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William Byrd: Ego Sum Panis Vivus (Collins) Satb (L): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
William Byrd (c. 1540-1623) was an English renaissance composer who wrote severa...
(+)
William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming organist and master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. Ego Sum Panis Vivus was inspired by theantiphon to the Benedictus at Lauds on the feast of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.
2.99 GBP - Sold by Musicroom UK
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William Byrd: O Quam Suavis (Collins) Satb (L): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
William Byrd (c. 1540-1623) was an English renaissance composer who wrote severa...
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William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming organist and master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. O Quam Suavis was inspired by the antiphon tothe Magnificat at the 1st Vespers of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.
3.99 GBP - Sold by Musicroom UK
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William Byrd: O Sacrum Convivium (Collins) Satb (L): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
William Byrd (c. 1540-1623) was an English renaissance composer who wrote severa...
(+)
William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming Organist and Master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. O Sacrum Convivium was inspired by the Antiphonto the Magnificat at the 2nd Vespers of Corpus Christi. It makes a perfect anthem for any Eucharist service or Mass. It is scored for SATB choir with Piano reduction for rehearsal purposes.
2.99 GBP - Sold by Musicroom UK
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William Byrd: Ave Verum (From Chester Motet Book 2-english): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
William Byrd (c. 1540-1623) was an English renaissance composer who wrote severa...
(+)
William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under ThomasTallis at the Chapel Royal before becoming organist and master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist. Ave Verum (?Hail True Body?) is a hymn to theBlessed Sacrament for SATB choir. This edition is printed with the original Latin text and a keyboard reduction for rehearsal or accompaniment. Ideal as a short anthem for a choir of any size.
2.25 GBP - Sold by Musicroom UK
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